Gigvault for venues, festivals and promoters

Gigvault is a concert diary used by fans who log the shows they attend — which means the platform holds something the ticketing funnel doesn't: a record of who actually turned up, and which acts on the bill they came for.

Your venue or festival already has a page

Every venue, city and festival in the database has its own page listing the acts who've played there and the fans who've logged shows. Those pages are public and indexed. If a page is yours, it can be verified and kept accurate rather than left to fill itself in.

Lineups that include the whole bill

Gigvault records openers, direct support and festival side-stage sets as separate acts, not as footnotes to a headline slot. For a promoter, that's a measure of which part of a bill an audience actually showed up for.

An audience that opts in

Fans on Gigvault are there to keep their own history, so the data comes from people choosing to record their attendance rather than from tracking. That also sets the boundary: visibility is per concert, per photo, per stat, and private entries stay private.

What a verified page gives you

Venue and festival pages are indexed and turn up in searches for the room, the city and the line-up. A verified page means the name, address, capacity and links are the ones you'd write yourself rather than what was inferred from concert data — and that corrections you send are applied at the source instead of one entry at a time.

For festivals it goes per edition: each year has its own page with its own line-up, broken down by day and stage. Past editions stay up, which is where most of the search traffic for a festival actually lives between announcements.

Native placements, if you want reach

Beyond a page, there are three placements aimed at people who already track shows: an artist card in the Discover feed of fans who follow that genre, a promoted upcoming show for users in your city, and a full-width banner at the top of the festival section — the one that matters before tickets go on sale. All three are targeted by genre and city, and all three sit in the feed rather than on top of it.

Pricing and placement options come in a written proposal, usually within 24 hours of an enquiry. There is no self-serve ad buying and no commitment to see the numbers first. See how promotion works.

An audience that opts in

Get in touch

For verification of a venue or festival page, lineup data corrections, or partnership questions, use the contact page. Press and photographer enquiries are covered on the photographers page.